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Writing

TV & Film

Movie theaters are lecture halls where the teacher is a movie

I don’t own a scale/weigh myself but I do accidentally step on my MacBook about once a week and as long as it doesn’t break I don’t change anything about my life

Half-Hour Comedy Pilots​

  • "Diana!," Fall 2020

A 57-year-old fame hungry, faded beauty in LA discovers a sentient purple, gelatinous blob from outer space in a Jacuzzi. Will this little Jell-O clown be her ticket to celebrity or the mother-daughter relationship she never had?

  • "Pros and Cons," Fall 2019

A washed-up diva vies for the spotlight, pitted against a beloved holy-woman-at-large. Which fraud will prevail as  the darling of network tv? Stay tuned.

  • "Flying Tomato," Spring 2017

A wacky slapstick comedienne pushes and SHOVES for more power on a male-dominated set in 1920's California.

Features

  • "One Man's Trash," Fall 2017

​A colorful array of characters compete in a freegan cooking competition known as The Dumpy’s. These people may seem mildly insane, but, damn, can they make a mean croquet monsieur from expired Lunchables.

Short Films

  • "Mother Mary," Fall 2016

An elderly woman combats the ghost of her debutant mother and finds redemption in chicken casserole. 

Theory

Academic

  • Irregular Gifts: Handicraft as a Natural National Artifact, SPRING 2023

"Handicrafts are place-based objects to be extracted from the earth, made by 'sovereign subjects, as things, formed by power relations, materials, pressure, and gravity.’' (Ellyn Walker, The Sovereign Stitch: Rereading Embroidery as a Critical Feminist Decolonial Text, p. 228) If scientific truth comes from the physical, observable world, craft brings politics into the realm of science, biology, blood, bone, with its natural elements of yarn, cotton, yucca, feathers, animal hide, porcupine quills, rocks and shells. It offers us something closer to a natural national artifact. It brings us closer to historical truth, regardless of political desire to forget."

  • "'I Object!': Classroom Body-Object Articulations as Instruments of Violence and Liberation," SPRING 2023

"In the disciplinary apparatus of the modern classroom, regulated body-object articulations, e.g. seated in chair, tall posture at desk, etc. work to interrupt and block access to intuition, preventing irregular transformations."

  • "The Wet Puppet and the Moon Clown: Reviving Intelligence Beyond the Thinking Mind Using Improvised Choreographies in Confinement," FALL 2022

“Improvisational practice calls into view the tension between readiness and flexibility, where readiness implies anticipatory preparations in the egoic project of the thinking mind, making lists, networking within a community, attending rehearsals, scheduling performances, etc. while flexibility implies liberation from the thinking mind in the form of irregularity and wildness."

  • "'Watch Me Puke': Improv Comedy and Infantile Sexuality," FALL 2022

“If improvisation required affirmative consent, that wouldn’t be improv, that would be a writer’s room."

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